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Neal Town Stephenson (born October 31, 1959) is an American writer known for his works of speculative fiction. His novels have been categorized as science fiction, historical fiction, cyberpunk, postcyberpunk, and baroque.
Stephenson's work explores mathematics, cryptography, linguistics, philosophy, currency, and the history of science. He also writes non-fiction articles about technology in publications such as Wired. He has written novels with his uncle, George Jewsbury ("J. Frederick George"), under the collective pseudonym Stephen Bury.
Stephenson has worked part-time as an advisor for Blue Origin, a company (founded by Jeff Bezos) developing a spacecraft and a space launch system,[1] and is also a cofounder of Subutai Corporation, whose first offering is the interactive fiction project The Mongoliad. He is currently Magic Leap's Chief Futurist.
Contents
1 Early life
2 Writing
3 Writing style
4 Outside of writing
5 Bibliography
5.1 Novels
5.2 Short fiction
5.3 Other fiction projects
5.4 Non-fiction
5.5 Critical studies, reviews and biography
6 References
7 External links
Early life
Born on October 31, 1959 in Fort Meade, Maryland,[2] Stephenson came from a family of engineers and scientists; his father is a professor of electrical engineering while his paternal grandfather was a physics professor. His mother worked in a biochemistry laboratory, and her father was a biochemistry professor. Stephenson's family moved to Champaign-Urbana, Illinois, in 1960 and then in 1966 to Ames, Iowa. He graduated from Ames High School in 1977.[3]
Stephenson studied at Boston University,[3] first specializing in physics, then switching to geography after he found that it would allow him to spend more time on the university mainframe.[4] He graduated in 1981 with a B.A. in geography and a minor in physics.[3] Since 1984, Stephenson has lived mostly in the Pacific Northwest and currently lives in Seattle with his family.[3]
Writing
Discussing Anathem at MIT in 2008
Stephenson's first novel, The Big U, published in 1984, is a satirical take on life at American Megaversity, a vast, bland, and alienating research university beset by chaotic riots.[5][6] His next novel, Zodiac (1988), is a thriller following a radical environmentalist in his struggle against corporate polluters.[5] Neither novel attracted much critical attention on first publication, but showcased concerns that Stephenson would further develop in his later work.[5]
Stephenson's breakthrough came in 1992 with Snow Crash, a cyberpunk or post-cyberpunk novel fusing memetics, computer viruses, and other high-tech themes with Sumerian mythology, along with a sociological extrapolation of extreme laissez-faire capitalism and collectivism.[6][7] Stephenson at this time would later be described by Mike Godwin as "a slight, unassuming grad-student type whose soft-spoken demeanor gave no obvious indication that he had written the manic apotheosis of cyberpunk science fiction."[8] In 1994, Stephenson joined with his uncle, J. Frederick George, to publish a political thriller, Interface, under the pen name "Stephen Bury";[9] they followed this in 1996 with The Cobweb.
Stephenson's next solo novel, published in 1995, was The Diamond Age: or A Young Lady's Illustrated Primer. The plot involves weapons implanted in characters' skulls, near-limitless replicators for everything from mattresses to foods, smartpaper, and air and blood-sanitizing nanobots. It is set in a grim future world of limited resources populated by hard-edged survivalists.
This was followed by Cryptonomicon in 1999, a novel including concepts ranging from Alan Turing's research into codebreaking and cryptography during the Second World War, to a modern attempt to set up a data haven. In 2013, Cryptonomicon won the Prometheus Hall of Fame Award.
The Baroque Cycle is a series of historical novels set in the 17th and 18th centuries, and is in some respects a prequel to Cryptonomicon. It was originally published in three volumes of two or three books each – Quicksilver (2003), The Confusion, (2004) and The System of the World (2004) – but was subsequently republished as eight separate books: Quicksilver, King of the Vagabonds, Odalisque, Bonanza, Juncto, Solomon's Gold, Currency, and System of the World. (The titles and exact breakdown vary in different markets.) The System of the World won the Prometheus Award in 2005.
Following this, Stephenson wrote Anathem (2008), a long and detailed novel of speculative fiction. It is set in an Earthlike world (perhaps in an alternative reality), deals with metaphysics, and refers heavily to Ancient Greek philosophy, while at the same time being a complex commentary on the insubstantiality of today's society.
In May 2010, the Subutai Corporation, of which Stephenson was named chairman, announced the production of an experimental multimedia fiction project called The Mongoliad, which centered upon a narrative written by Stephenson and other speculative fiction authors.[10][11]
Stephenson's novel REAMDE was released on September 20, 2011.[12] The title is a play on the common filename README. This thriller, set in the present, centers around a group of MMORPG developers caught in the middle of Chinese cyber-criminals, Islamic terrorists, and Russian mafia.[13]
On August 7, 2012, Stephenson released a collection of essays and other previously published fiction entitled Some Remarks: Essays and Other Writing.[14] This collection also includes a new essay and a short story created specifically for this volume.
In late 2013, Stephenson stated that he was working on a multi-volume work of historical novels that would "have a lot to do with scientific and technological themes and how those interact with the characters and civilisation during a particular span of history". He expected the first two volumes to be released in mid-to-late 2014.[15] However, at about the same time, he shifted his attention to a science fiction novel, Seveneves, which was completed about a year later and was published in May 2015.[16] On June 8, 2016, plans were announced to adapt Seveneves for the screen.[17]
In May 2016, as part of a video discussion with Bill Gates, Stephenson revealed that he had just submitted the manuscript for a new historical novel—"a time travel book"—co-written with Nicole Galland, one of his Mongoliad coauthors.[18] This was released as The Rise and Fall of D.O.D.O. on June 13, 2017.[19]
In June 2019 his next novel Fall; or, Dodge in Hell was published. It is a near-future novel that explores mind uploading into the cloud, and contains characters from 2011's Reamde, 1999's Cryptonomicon, and other books. [20]
Writing style
In his earlier novels Stephenson deals heavily in pop culture–laden metaphors and imagery and in quick, hip dialogue, as well as in extended narrative monologues. The tone of his books is generally more irreverent and less serious than that of previous cyberpunk novels such as those of William Gibson.
Stephenson at the Starship Century Symposium at UCSD in 2013.
Stephenson's books tend to have elaborate plots drawing on numerous technological and sociological ideas at the same time. The discursive nature of his writing, together with significant plot and character complexity and an abundance of detail suggests a baroque writing style, which Stephenson brought fully to bear in the three-volume Baroque Cycle.[21] His book The Diamond Age follows a simpler plot but features "neo-Victorian" characters and employs Victorian-era literary conceits. In keeping with the baroque style, Stephenson's books have become longer as he has gained recognition. For example, the paperback editions of Cryptonomicon are over eleven hundred pages long[22] with the novel containing various digressions, including a lengthy erotic story about antique furniture and stockings.
Outside of writing
Stephenson worked at Blue Origin—Jeff Bezos' spaceflight company—for seven years in the early 2000s when its focus was on "novel alternate approaches to space, alternate propulsion systems, and business models", but left after Blue became a more standard aerospace company.[23]
In 2012, Stephenson launched a Kickstarter campaign for CLANG, a realistic sword-fighting fantasy game. The concept was to use motion control to provide an immersive experience. The campaign's funding goal of $500,000 was reached by the target date of July 9, 2012 on Kickstarter, but funding options remained open and the project continued to accept contributions on its official site.[24] The project ran out of money in September 2013.[25] This, and the circumstances around it, angered some backers[26] with some threatening a class action lawsuit.[27] The CLANG project ended in September 2014 without being completed. Stephenson took part of the responsibility for the project's failure, stating, "I probably focused too much on historical accuracy and not enough on making it sufficiently fun to attract additional investment".[28]
In 2014, Stephenson was hired as Chief Futurist by the Florida-based company Magic Leap.[29] Magic Leap claims to be developing a revolutionary form of augmented reality, not too different from technologies Stephenson previously has described in his science fiction books.
Bibliography
This list is incomplete; you can help by expanding it.
Stephenson at the National Book Festival in 2004
Novels
The Big U (1984)
Zodiac (1988)
Snow Crash (1992) – British Science Fiction Association Award nominee, 1993; Clarke Award nominee, 1994[30]
Interface (1994) with J. Frederick George, as "Stephen Bury"
The Diamond Age: or A Young Lady's Illustrated Primer (1995) – Hugo and Locus SF Awards winner, 1996; Nebula, Campbell and Clarke Awards nominee, 1996[30]
The Cobweb (1996) with J. Frederick George, as "Stephen Bury"
Cryptonomicon (1999) – Locus SF Award winner, 2000;[30] Hugo and Clarke Awards nominee, 2000;[30] 2013 Prometheus Hall of Fame Award
Quicksilver (2003), volume I: The Baroque Cycle – Clarke Award winner, 2004;[30] Locus SF Award nominee, 2004[30]
The Confusion (2004), volume II: The Baroque Cycle – Locus SF Award winner, 2005
The System of the World (2004), volume III: The Baroque Cycle – Locus SF Award winner, 2005; Prometheus Award winner, 2005; Clarke Award nominee, 2005[30]
Anathem (2008) – Locus SF Award winner, 2009; British Science Fiction Association Award nominee, 2008; Hugo and Clarke Awards nominee, 2009[30]
The Mongoliad (2010–2012)
Reamde (2011)[31]
Seveneves (2015)[16] Hugo Award for Best Novel nominee
The Rise and Fall of D.O.D.O. (2017) with Nicole Galland[32]
Fall; or, Dodge in Hell (2019)[33]
Short fiction
"Spew" (1994), in Hackers (1996)
"The Great Simoleon Caper" (1995), TIME
"Excerpt from the Third and Last Volume of Tribes of the Pacific Coast" in Full Spectrum 5 (1995)
"Jipi and the Paranoid Chip" (1997), Forbes
"Crunch" (1997), in Disco 2000 (edited by Sarah Champion, 1998) ("Crunch" is a chapter from Cryptonomicon)
"Atmosphæra Incognita" (2013), in Starship Century: Toward the Grandest Horizon (edited by Gregory Benford and James Benford)
Other fiction projects
Project Hieroglyph, founded in 2011, administered by Arizona State University's Center for Science and the Imagination since 2012. Hieroglyph: Stories and Visions for a Better Future, ed. Ed Finn and Kathryn Cramer, which includes contributions by Stephenson (preface and chapter "Atmosphæra Incognita"), was published by William Morrow in September, 2014.
Non-fiction
"Smiley's people". 1993.
"In the Kingdom of Mao Bell". Wired. 1994. "A billion Chinese are using new technology to create the fastest growing economy on the planet. But while the information wants to be free, do they?"
"Mother Earth Mother Board". Wired. 1996. "In which the Hacker Tourist ventures forth across three continents, telling the story of the business and technology of undersea fiber-optic cables, as well as an account of the laying of the longest wire on Earth."
"Global Neighborhood Watch". Wired. 1998. Stopping street crime in the global village.
In the Beginning... Was the Command Line. HarperPerennial. 1999. ISBN 0-380-81593-1.
"Communication Prosthetics: Threat, or Menace?". Whole Earth Review, Summer 2001.
"Turn On, Tune In, Veg Out". Op-Ed piece on Star Wars, in The New York Times, June 17, 2005.
"It's All Geek To Me". Op-Ed piece on the film 300 and geek culture, The New York Times, March 18, 2007.
"Atoms of Cognition: Metaphysics in the Royal Society 1715–2010," chapter in Seeing Further: The Story of Science and the Royal Society, edited by Bill Bryson. Stephenson discusses the legacy of the rivalry between Sir Isaac Newton and Gottfried Leibniz, November 2, 2010.
"Space Stasis". Slate. February 2, 2011. "What the strange persistence of rockets can teach us about innovation."
"Innovation Starvation". World Policy Journal, 2011.
Some Remarks: Essays and Other Writing. William Morrow. 2012. ISBN 0062024434.
Critical studies, reviews and biography
De Lint, Charles (June 2000). "Review of In the beginning ... was the command line". Books to Look For. F&SF. 98 (6): 39–40. Retrieved February 17, 2016.
Handrahan, Matthew (2015). "Essential Read: Snow Crash". Book Club. SciFiNow. 104: 84–87.
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